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Irglová was a member of the band The Swell Season with Glen Hansard.The band released its eponymous album on Overcoat Recordings in 2006.Its story is far more complex than it initially seems, with the offstage life of the people who starred in the movie and wrote its songs paralleling the fictional world they inhabited in an eerily prescient way.The boy is Glen Hansard, a 47-year-old Irish indie musician, who spent most of his career with a well-regarded but largely under-the-radar group called The Frames. She’s Marketa Irglova, a 25-year-old Czech singer-songwriter who met Hansard and went from being a total unknown to a reluctant global star in the space of a few years. But while they were together, they attracted a perfect storm of publicity, with everyone wondering whether the love affair they portrayed both on screen and off was a case of art imitating life, or vice versa.She had been given the chance to address the audience after the swelling music had cut her off during their initial time.Hansard had spoken first, and had done so as he always seemed to with big-hearted emotion and ease. Hansard had already lived and died for music during those years before Irglová was born, before he met her; he had lived and died a whole life, it seems, in the best sense, and he had no regrets.At a party thrown for The Frames before their concert, Hansard heard Irglova sing.
They stepped off the screen together, formed a group (The Swell Season) and took their love affair on the road.“It was because he was Irish and exotic, and I had to speak English.”Despite the difference in their ages, the two kept in touch, with Hansard mentoring her as a songwriter, and they finally began to perform together in Europe in late 2005 as a duo called The Swell Season.Then their lives took an unexpected turn, thanks to a name from Hansard’s past.The film won the World Cinema Audience Award for a dramatic film at the 2007 Sundance Film Festival.Hansard played a large part not only in her development as an artist and songwriter but also in launching her career.
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The Tony Award-winning musical Once, which starts performances at the Royal Alexandra Theatre on Tuesday, is a bittersweet riff on the archetypal boy-meets-girl, boy-gets-girl, boy-loses-girl story.